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Showing posts with label punctuation. Show all posts
Showing posts with label punctuation. Show all posts

Wednesday, 6 January 2016

Using commas with fronted adverbials

The new National Curriculum requires children to be taught to use fronted adverbials and to indicate these as a grammatical feature by ‘using commas after fronted adverbials’. (Years 3-4 Programme of Study).  This statutory requirement appears in appendix 2: Vocabulary, grammar and punctuation under Year 4.

I have no disagreement at all about teaching children to front adverbials, since these enable them to create different effects for their readers and also provide variation in sentence structure.  However, I think the statement ‘Use of commas after fronted adverbials’ needs a little mediation, since not all fronted adverbials will require to be punctuated.  In fact, hidden away in the glossary of the National Curriculum, it does state ‘When writing fronted phrases, we often follow them with a comma’ (my italics). 

The task for us is to teach children:
  • What function adverbs, adverbial phrases and adverbial clauses have in a sentence, e.g. where, when, how, why things happen.
  • What words, phrases and clauses can fill the adverbial positions in a sentence.  When considering single word adverbs, children need to recognise that these can end in –ly, but also include other words too, such as away, off, well.  Adverbial phrases are often prepositional phrases, but could also consist of a single word adverb an a premodifying adverb, e.g. extremely well, really quickly, very conscientiouslyAdverbial clauses are subordinate clauses that fill the adverbial position.  Very often we teach children the subordinate structure for these, but don’t highlight the adverbial function (other functions of subordinate clauses are nominal and relative).
  • How to construct adverbial phrases and clauses, e.g. a prepositional phrase = a preposition + a noun or noun phrase.
  • How and when it is appropriate to punctuate adverbs, adverbial phrases and adverbial clauses, especially when these are fronted.

Children need to understand that the purpose of punctuation is to help a reader (who is usually not present) understand clearly what the writer intended.  I don’t think that this is discussed explicitly enough with children.  It is not obvious from the classroom context that the purpose for writing is usually for a reader who is not present at the time of writing.  In many instances, children are writing for a teacher, teaching assistant or peers who are in the same room, maybe sitting at the same table.  This means that any misunderstandings in what they have written can be explained verbally. It is extremely difficult for children to read their writing as another reader would: they know exactly what they had in mind and reading with somebody else’s ‘eyes’ is a skill that needs to be learnt.

So, how can punctuation of fronted adverbials help a reader understand the text more clearly?  Well, most punctuation is a matter of convention, rather than definite ‘rights and wrongs’.  In spite of what some may say about ‘rules’ of punctuation, use of commas is optional in many cases and very much depends on personal preference, avoiding ambiguity and promoting clarity of message.  This clarity is not just about the sense the reader can obtain from the text; it is also about creating the effect the writer desires.

Bearing what I have just said about optional use and personal preference I would simply offer the following ideas about use of commas with fronted adverbials.  Not everyone would agree with me!
With this type of adverbial, which can usually be placed in different positions in a sentence, I would be much more likely to consider sense, and the effect I wanted to create. 

In short sentences, or those where I wanted to develop some pace, I would be less likely to use a comma since these do cause the reader to pause mentally (or physically if they are reading aloud).  We should avoid telling children that punctuation makes the reader ‘take a breath’: the reader is very capable of controlling their own breathing, especially if reading silently! However, pausing at the grammatical boundaries in a sentence does give the reader chance to consider what has gone before, take in the meaning, and prepare for the next piece of information.

Consider the following examples.  The sense is clear and I would prefer to build the pace so have not used commas.  
  • That night I tried again.
  • Suddenly it started.
  • Hurriedly they darted under a rock.
Now compare these two similar structures. What difference does the punctuation make?
  • Explosively the fiery lava spurted from the mouth of the volcano.
  • Gradually, the viscous, black oil dripped from the pipe.

I would also use a comma if my opening adverbial was lengthy. (David Crystal discusses the issue of use of commas with longer grammatical structures in his book: Making a point, for anyone interested in further reading.)  With short term memory being what it is, slowing the reader down can give time for the information to be processed:
  • In the silent darkness of the gloomy forest, the red-cloaked child felt nervous.
  • Because of the clear tones of her voice and the beauty of the melody, the audience gave her a standing ovation.

Of course, if the fronted adverbial is a subordinate clause, I would use a comma to demarcate the boundary:
  • Since she was a child, Sophie had wanted to work with horses.
  • Climbing to the top, he had a clear view of the surrounding countryside.

Conjuncts (adverbials with a cohesive function)
With most of these adverbials, I would use commas to separate them from the rest of the sentence.  Conjuncts are used to help the text flow and are therefore on the periphery of the sentence.  They are usually placed at or near the beginning of the sentence, so that the reader can use this early information to link to what has happened in the previous sentences or paragraph:
  • Furthermore, animals do not have as much room to move in captivity.
  • Later that afternoon, he left the house and wandered through the streets again.
  • In the meantime, she would practise making cakes.
  • The prince was, however, not ready for the responsibility of ruling the kingdom.

With some conjuncts though, especially in short sentences, I might omit the comma, e.g.
  • Finally they arrived.

I would use commas to separate these adverbial words, phrases or clauses from the remainder of the information in the sentence, since they are not integral to the sentence, but purely convey the writer’s feelings.  It seems right to me to help the reader distinguish the main message from the writer's feelings, beliefs and opinions.  For example:

  • Frankly, he is unlikely to remain a politician.
  • Seriously, I heard them say so on the radio.
  • To be precise, not all the details are available.
  • With regret, we will not be able to attend.
  • If I can be direct, I don’t agree.

However, once again I think that I might omit the comma if the sentence is very short and the disjunct is a single word.  Consider the structures below.  Does the reader really need the benefit of a comma here?
  • Obviously I care!
  • Clearly it's not.

In the grammar and punctuation tests, children are likely to be required to identify a fronted adverbial punctuated with a comma as the correct option.  I just hope the people setting these tests choose examples where there is no doubt a comma is required for sense and effect.  If that is the case, we can teach children to write well, using adverbials and commas to aid sense and effect, rather than requiring them to punctuate every single fronted adverbial in order to pass a test!



Tuesday, 25 February 2014

An apostrophe query - should we be teaching James' or James's?

I've just received the question above and know that many people find this a tricky one!  I list here the conventions I usually follow:
  • 's is added to singular nouns to show possession (the cat's tail) and this is usually the same for a proper noun that already ends in s.  Examples are Charles's car, James's book.  When possession is shown in this way, the additional s is pronounced.  
  • As with everything in our language, there are exceptions to be found: for example, St. James's Park in London uses the 's, whereas St. James' Park, home of Exeter City FC, just uses the apostrophe on its own.  Very often the exceptions relate to names of places or organisations, so it is a good idea to check the source through an official document or website.
  • Sometimes names end in s, but to pronounce an additional s would be awkward, e.g. Achilles' heel, not Achilles's heel.  You wouldn't say 'I watched Kevin Bridges's show.' or 'I love Saint Saens's music.' Therefore, in these instances we would just use Kevin Bridges' show and Saint Saens' music.
  • There is much debate over whether proper nouns ending in a sibilant sound (/s/ or /z/) should take 's or just the apostrophe to indicate possession.  Writers make a choice about which convention they use and children will find exceptions and will delight in pointing these out to their teachers.  I believe, when working with children, best practice would be consistency in adding 's, unless this makes the word awkward to say, or we just wouldn't even consider pronouncing the additional s.

Saturday, 5 October 2013

Developing punctuation using an authentic text - Ask Dr K Fisher about Animals


I’ve been asked to recommend a text that a teacher could use to develop children’s understanding and use of punctuation, beyond full stops. 

‘Ask Dr K Fisher about Animals’ by Claire Llewellyn is a great text to develop a range of punctuation marks; depending on where your punctuation focus lies, it can be used in different ways.  Obviously, when you are teaching these punctuation marks, this will be alongside teaching of the grammatical feature with which they are used.  For example commas within lists of adjectives in a noun phrase, or commas/dashes/brackets to enclose additional information, writer's comment, etc.

There are other books in the ‘Ask Dr. Fisher’ series, but in this text a teacher could explore the use of the following punctuation (page references for examples provided):
  • question marks: 4, 6, 10, 12, 16, 22, 24, 28 
  •  exclamation marks: 7, 8, 9, 13, 18, 19, 23, 28, 29
  • commas in lists: 4, 6, 11, 12, 15, 18, 24, 25, 28, 29, 30, 31 (not page 10 as these clauses are comma spliced, but you could make a teaching point and correct with use of semi-colons!)
  • commas to demarcate clauses: 5, 6, 7, 15, 17, 19, 20 (for relative clause), 21, 22, 23, 25, 29, 30, 31 (relative clauses)
  •  commas surrounding additional information/embedded clauses: 7, 11, 13, 17, 23, 25, 26, 27, 29, 31
  • apostrophes for contractions: 4, 5, 6, 7, 10, 11, 12, 13, 14, 16, 18, 22, 23, 24, 28
  •  hyphens: 6, 7, 11, 12, 13, 14, 15, 19, 20, 21, 22, 25, 27, 30, 31
  •  dashes: 5, 7, 8, 9, 13, 16, 25, 29
  •  brackets: 10, 13, 15, 22, 23, 25, 26, 27, 28 (some of these used to support text structure and organisation (layout of text), rather than use within a sentence)
  •  colons: 4, 13, 14 & 15 (for list), 19, 22, 28 (the colons used within sentences in the text -as opposed to those introducing a list - are excellent examples.  The information after the colon elaborates or explains the statement before.)
  • apostrophes for possession: 8, 9, 29
The only punctuation I wouldn't use would be the Oxford commas before 'and', which are used occasionally in this text.  It's a comma used traditionally by printers/editors at OUP and can be used to clarify meaning in some long, complicated lists of clauses.  However, it isn't really needed in this book to clarify meaning.

I may have missed a few, but I hope there's enough here to be going on with!

To see other texts recommended on this blog, click here.  And for more Texts that Teach, check out this link

Saturday, 7 September 2013

More dragons: developing sentence structure using online texts


If you’re running with the theme of dragons, then a great online text is ‘A Hero’s Guide to Deadly Dragons’.  Containing extracts from the book, this online resource contains a number of pages which provide descriptions and details about some of the deadly dragons. 

I would use this text to help children develop:
·         Description (linked to adjective, simile and noun phrase tools in the Sentence Toolkit).  This could range from adding one or two adjectives to describe an attribute, to building up more subtle descriptions, e.g. ‘all shades of brown’; ‘as black as your darkest nightmare’.  It could also be used to help the children understand the difference between description suitable for narrative and the more precise description used in non-fiction texts (although this is still a fantasy based text, so contains some narrative-like description in places).
·         Punctuation (screwdrivers in the Sentence Toolkit).  There are some good examples in this text demonstrating correct use of commas in lists and to demarcate clauses, but also use of hyphens, brackets and dashes.  However, there is perhaps rather more use of ellipses than you would want to see in your children’s writing.

Once you have investigated the dragons with the children and explored the sentence structures and punctuation you want to develop, children could design their own dragons.  These could then be used to compile a group or class book of more deadly dragons.

Poppy has designed her dragon below.  I would use a picture such as this for shared writing, so that I could model writing each stage of the description and the detailed paragraph.


To see other texts recommended on this blog, click here.  And for more Texts that Teach, check out this link.

Monday, 15 July 2013

Tell Me A Dragon: teaching sentence structures through a great text


Tell Me A Dragon, by Jackie Morris, is a beautiful book.  It has the most wonderful illustrations, which will both support and motivate children to write more descriptively, and the structure of the sentences on each page provide children with models for writing which they can imitate or innovate. 

How you use the text will depend on the year group you are teaching and the grammatical features you have identified for development with your pupils.   I've provided a few examples from the text for each grammatical element, together with the relevant Sentence Toolkit tools which you could use with these.  Once children have understood how to use the structure and had fun with writing their own examples, they could perhaps produce a class or group book, writing sentences to describe their own dragons.

Noun phrases which provide beautiful description, using both pre- and post-modification of the noun  (Sentence Toolkit: tape measure)

  • the silver moon-path,  (premodification only)
  • the secret music of the wind (postmodified with prepositional phrase)
  • whisper-thin wings of rainbow-hues (wings are pre-modified with 'whisper-thin' and post-modified with 'of rainbow hues')
Adjectival phrases (Sentence Toolkit: large paint brush)
  •  snaggle-toothed, fierce and brave
  • jade-winged and amber-eyed with a tail as long as a river (the adjectival phrases is extended by adding a prepositional phrase introduced by 'with'.  Within this prepositional phrase, the noun phrase 'a tail' is also post-modified with a simile.  The children don't need to analyse the structure in a technical way, but the model is fantastic for imitating and innovating.  E.g. My dragon is steely-scaled and stony-eyed with spikes as hard as granite.)  
  Similes (Sentence Toolkit: medium size paintbrush)
  • as big as a village
  • as long as a river
Simple adverbial phrases of where and when, suitable as models for writers beginning to use adverbials (Sentence Toolkit: saw)
  • across the sky
  • in the waves
  • all day
  • from far away and long ago
  • around my pillow
  • into my dreams
Subordinate clauses.  There are two subordinate structures I would use this text for.  (Sentence Toolkit: spanners - the conjunction spanner and the -ed spanner - and also the comma screwdriver) 

If I were developing subordination of time (Year 2), the model  I would use would be:
  • When she laughs, petals ride on her breath. 
 Introducing the use of 'when' to start the sentence, will lead to the children automatically creating subordinate structures.  Alongside this, you and the class should note how the comma has been used to separate the two parts (clauses, but you wouldn't be using that term in Year 2 necessarily) of the sentence.  Children could think of other things their dragon might do, e.g. When he snarls, When she flies, and go on to complete the sentence with a main clause.

If I were developing other ways of creating complex sentences, in order to vary sentence structure, I would use the  model below.  I would use this with Year 5 and 6 pupils who were already using conjunctions for subordinate clauses:
  • Curled around my ear, my dragon sings sweet songs and tells me strange stories from far away and long ago.
  • Curled around my pillow...
This structure uses a past participle followed by a prepositional phrase to introduce the subordinate clause.  Children could use this pattern to develop their own dragon sentences.  Where else could the dragon be curled?  Around my arm, neck, shoulder? What other verbs could be used here?  Children could brainstorm their own past participles: wrapped (around my arm), rested (on my shoulder), draped (over my shoulder), hidden (under my hat).  Have some fun with it and get children used to the structure.  Even if they don't know the terminology, they will be able to start sentences with the pattern and will, therefore, be varying their construction of complex sentences.

Punctuation (Sentence Toolkit: screwdrivers, hyphens)
The text provides good models of punctuation, in particular use of commas to mark phrases and clauses and hyphens to create compound constructions to modify/describe nouns.  For example: snaggle-toothed, jade-winged, amber-eyed, sea-dragon, ice-dragon.

To see other texts recommended on this blog, click here.  And for more Texts that Teach, check out this link.

Saturday, 18 May 2013

Developing sentences with young children

I spent a great day with colleagues yesterday, considering books that we could use in literacy lesson.  One of my favourites was 'What Happens When...' by Delphine Chedru.

Teachers often ask me how to help children understand where full stops should be used. Well, where do we put a full stop?  At the end of a sentence, of course!  But that's not much help to children if they don't understand what a sentence is.  Where is the end of the sentence?  Well, it's where the full stop is!  When I use Excel, I sometimes get a message telling me I have a circular reference; the messages we give to children can also set up confusing loops in their understanding. So, how to we help children grasp the concept of a sentence - before they even start to write?

Sentences in English are all about the verb: something happens or just is.  We must be careful that 'doing' word does not become synonymous with 'verb' in children's minds, because the verb could also be a 'being' or 'having' word.  I think it's quite interesting that the verbs we use seem to fit into categories of the primary auxiliary verbs we use in our language (to be, to do and to have).  Do let me know if you think of other categories though!

We need to create sentences with children and discuss them so that children can understand their structure and the function of the words used, but this needs to be an enjoyable experience and foster a curiosity about their language.  'What Happens When...' is a wonderful book for developing sentences to discuss with the children.  On each double page spread there is a question and a picture of an object (great for developing questions too!)  The picture then unfolds to another double page picture which portrays one possible answer.  I would use the book in this way.

Look at the first question with the children: 'What happens when my balloon floats up, out of the zoo...?' Discuss what is happening in the picture.  What is the balloon doing?  What is happening? What is floating?  Where is it floating? What is the bird doing?  Where is the balloon?  Encourage them to answer in sentences by prompting for more information if they just answer 'floating' or 'in the sky'. Use specific praise for 'a good sentence'.  It's important to use the terminology 'sentence' with them as a matter of course, so they get used to hearing it alongside good examples and their own successes.

Ask the children what might happen next to the balloon.  Encourage them to answer in sentences and ask questions about the sentence.  For example, they might say 'The bird will pop the balloon.' This could lead to questions such as 'What will the bird do?', 'Who will pop the balloon? or 'What will the bird pop?'.  This gets the children used to talking about their sentences, but also develops an awareness of subject, verb and object (although, of course, not using this terminology).  Encourage peer questioning about sentences too.

When they have come up with some suggestions, turn the page and see what the author suggests.  This next picture could lead to further sentences and discussion.  For young children, this would make an ideal guided activity.

You could develop the exercise further to model writing one of the sentences and show children that, after a sentence with one thing 'happening', we need to add a full stop.  I would use the full stop screwdriver from the Sentence Toolkit to model the action of fixing my full stop at the end of my oral sentence and encourage them to use this at the end of each of their oral sentences.


The acting out of sentences with a mimed full stop added, followed by discussion about that sentence, can be incorporated into many different lessons.  For those of you who teach phonics, this discussion about what is going on in sentences is the grammatical equivalent of oral blending and segmenting.  These sorts of activities with children help them to create oral sentences, which can be gradually extended as their writing develops.  It's always good to 'test out' a sentence orally before writing, to see how it sounds and what sense it makes.  An early start in this will help writing composition later.  And the discussion about what is happening, and how many things are happening, in their sentences before they use their full stop screwdriver should help reduce the number of sentences which all run into each other, with no punctuation in sight!




Friday, 3 May 2013

Hello fellow grammar pusses!

Well, if you're here, you must have entered the 'G' word!  This is my first blog and, as I've been focusing on grammar and punctuation quite a lot recently, I thought I'd see what gripes and niggles are out there.  Come on, get it off your chest and let's share ideas!