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Showing posts with label relative clause. Show all posts
Showing posts with label relative clause. Show all posts

Wednesday, 23 January 2019

Using a past participle to start a relative clause


I have recently received a comment asking about the structure 'The significant percentage of work accomplished on the computer.'  

This is not a sentence as it does not contain a finite verb, but only the past participle ‘accomplished’. The actual structure is a noun phrase containing a relative clause.  However, the relative clause is not fronted by a relative pronoun, but by the past participle verb 'accomplished'.

The = determiner
(significant) percentage of = phrasal quantifier pre-modifying the main noun
work = main noun
accomplished on the computer = relative clause fronted by a non-finite past participle

The subordinate structure ‘accomplished on the computer’ could have been written ‘which was accomplished’.  Often in English we elide the relative pronoun and auxiliary verb to use the non-finite past participle in relative clause position.

So the whole structure is a noun phrase: the main noun work is pre-modified and also post-modified, but cannot stand on its own as a sentence.  You can test this by inserting it into the noun phrase position of sentences.  For example,

The significant percentage of work accomplished on the computer disproved the theory. (SVO structure with phrase in subject position)

The board approved the significant percentage of work accomplished on the computer. (SVO structure with phrase in object position)

If you wanted the original structure to act as a complete sentence, you would need to amend it so that ‘accomplished’ no longer appears as a non-finite verb:

The significant percentage of work was accomplished.  
(SV- the auxiliary verb ‘was’ + past participle ‘accomplished’ forms a passive verb.)

The significant percentage of work was accomplished.  
(SVC with ‘accomplished acting as an adjective in the complement position)



Sunday, 11 February 2018

Pre- and post-modification

I was recently asked to explain pre- and post-modification.  

Pre- and post-modification are terms used for words, phrases and clauses that add information to a noun. By adding these you create a noun phrase.  

Premodification is where information is added before the noun, e.g determiners, adverbs, adjectives:

Post-modification is adding a phrase or relative clause (which is a type of subordinate clause) after the noun.

If we use the noun 'horse', we can, for example, add premodifiers:

the (determiner)
very (adverb)
beautiful (adjective)

and post-modifiers:

with the flowing mane (prepositional phrase)
or
which could gallop like the wind (relative clause because it starts with a relative pronoun - which - and includes a verb 'could gallop')

The very beautiful horse with the flowing mane...
The very beautiful horse which could gallop like the wind...

Sunday, 10 November 2013

Developing KS2 sentence level writing using 'The Ice Bear' by Jackie Morris

This version of an Inuit myth is another beautiful book by Jackie Morris.  As always, her illustrations are stunning and the story is captivating; however, as a teaching and learning text, it can be used in many different ways.  The rich language will help children improve their description and widen their vocabulary, the story provides opportunities for book talk on many different levels  and the variation in sentence structures make this a valuable text for developing different aspects of writing, dependent on the children’s needs.

Below are some of the grammatical elements you could teach from this book, together with the relevant Sentence Toolkit tools which you can use with these.  Under each element, I have listed a few examples from the text.  Which element you choose to teach will depend on what aspect of writing you want the children to develop, based on their identified next steps.

Expanded noun phrases which provide wonderful description  (Sentence Toolkit: tape measure)
There are many examples in this text of noun phrases using pre-modification only (where the main noun is in final position in the phrase).
  • his bone-tipped spear
  • thin powder snow
  • her golden white fur
The text is very rich in expanded noun phrases which are post-modified with prepositional phrases.  I have emboldened the main verb in the following examples:
  • the scent of snow
  • a pale shard of shining light
  • the smooth beads of amber
  • a hiss of hot breath
There are also examples of noun phrases expanded with relative clauses.  Some of these are introduced by the relative pronoun; however in some examples the relative pronoun is elided and the clause starts with a past participle. 
  • the great white bear who had held them close in the blue ice cave (relative pronoun ‘who’)
  • the place where the boy had sunk to his knees (relative pronoun ‘where’)
  • the bear that had taken the life of his child (relative pronoun ‘that’)
  • a bundle wrapped in a scrap of white fur (the main noun ‘bundle’ is post-modified by a subordinate structure ‘wrapped in a scrap of white fur’.  This non-finite past participle is in relative clause position and could have been written ‘which was wrapped …’)
  • fingers, clawed by the cold (the subordinate relative clause could have been written ‘which were clawed by the cold’)
Similes (Sentence Toolkit: medium size paintbrush)
  • like a raven’s wing
  • like a fragment of fire
Adverbial phrases of where, how and when  (Sentence Toolkit: saw)
  • high into the darkness of winter, over the frozen sea (this could be considered as 3 where adverbials together: high, into the darkness of winter, over the frozen sea)
  • on the hard-packed snow (where)
  • over his footprints (where)
  • with a mittened hand (how)
  • like a flame on the cold white (how)
  • in the beginning of time (when)
  • in the dark months (when)
Compound sentences  (Sentence Toolkit: glue gun)
Compound sentences in this text vary the sentence structures used and create different effects.  For example, the first sentence of the book is a compound structure which links two main points, both of equal importance:
  • In the beginning of time people and animals lived together on the earth and there was no difference between them.
Other compound sentences vary pace or build tension in the text:
  • The storm came in fast but his dogs moved faster. 
  • She dropped the treasure and it lay like a flame on the cold white.  The boy moved to take it, and in flew the bird. 
  • He walked over ice ridges and down into valleys
  • The cold clung to him, it gnawed at him and fear began to suck at his bones. (a list of main clauses in a compound structure)

Subordinate clauses.  There are examples in this text of the four subordinate structures used to create complex sentences (underlined).  (Sentence Toolkit: all four spanners and also the comma screwdriver where the subordinate clause starts the sentence)  
  • Into this world they were born, in the dark months, when the cold and the wind turned water to stone. 
  • As he reached out a hand to the biggest of the bears(,) the amber treasure fell to the snow.  (Although authors do not always punctuate according to the convention we are teaching in schools, children should learn to use a comma when the sentence starts with a subordinate clause.) 
  • As he stooped to pick up the brightest and best, in flew the raven and snatched it away. (As with many of the sentences in this book, sentence structures are complicated with a mix of compound and complex.  I would be using these with more able writers to vary their compositions.)
  •  Maddened by grief(,) he followed the trail of the running bears, a river of paw prints on the frozen sea. (The subordinate clause starts the sentence and is introduced by the non-finite past participle.  Again when innovating sentences like these, children will need to demarcate the clause boundary with a comma where the subordinate clause starts the sentence.) 
  • He followed the trail, picking up each shining piece, cupping them in his mittens. (2 subordinate clauses introduced by the non-finite present participle.)
  •  She held them close to keep them warm in the blue ice cave that was their world. (Infinitive used to introduce subordinate clause.)
     With level 5 and 6 writers I would also use this text to explore the way authors use structures that are not complete sentences to create effects.  Although the phrases used have a capital letter at the start and a full stop at the end, unless they have a finite verb, they are not complete sentences in English.  However, many examples can be found that ‘break the rule’ and Jackie Morris uses these to great effect.
  • So small.  (Adjective phrase)
  • His last hunt before true winter.  (Expanded noun phrase)
  • Two eyes, black as midwinter. (Expanded noun phrase)
  • Dark hair like a raven’s wing. (Expanded noun phrase)
  • Two hands, fingers clawed by the cold. (Expanded noun phrase)
  • A child. (Noun phrase)
  • A piece of amber, smoothed by the oceans, coloured, clear and beautiful, like a fragment of fire, washed ashore from a far-off place.  (Amber is the main noun and this is post-modified by the three relative clauses starting with past participles ‘smoothed’, ‘coloured’ and ‘washed’.  Although these three verbs are used, since they are non-finite, there is no main clause and the whole structure is an expanded noun phrase.  With support, more able writers will be able to see the pattern of participles and use this structure themselves with an element of understanding about how it is formed.  Others will be able to imitate the pattern.)
To see other texts recommended on this blog, click here.  And for more Texts that Teach, check out this link.

Saturday, 8 June 2013

Survival at 40°C Above: developing sentence structures with KS2 children

I've recently discovered Debbie S Miller's book: Survival at 40°C Above.  This book would be ideal for linking cross-curricular topic work on habitats with literacy, as it is beautifully written and exemplifies many of the sentence elements that we would want to introduce and develop with children.  As soon as I started reading it, I could hear the mellifluous tones of David Attenborough in my head, guiding me through the Simpson Desert in the literary, non-fiction style that has become a genre of its own.  I haven't read any of Debbie Miller's other books yet, but am looking forward to Survival at 40°C Below!

With a text as good as this, it would be possible to develop many aspects of children sentence level writing but, of course, a literacy unit would probably only focus on one or two of these at most.  There are excellent models of the following elements; I've provided a few examples from the text for each one, together with the relevant Sentence Toolkit tools which you could use with these.

Noun phrases which provide beautiful description as well as precise vocabulary.  Although the content is non-fiction, these phrases help create the literary style of this text.   (Sentence Toolkit: tape measure)
  • This vast, rippled desert (premodification only)
  • the tan coloured skin of this large lizard (postmodified with prepositional phrase)
  • the long, wind shaped dunes that twist and turn across Australia (postmodified with relative clause)
 Powerful verbs and verb phrases (Sentence Toolkit: hammers)
  • The goanna detects the shadow of this predator with the tiny sensor eye on top of his head and immediately races to hide in a tuft of spinifex.
  • Darting across the sand, this striped lizard discovers a perfect spot to bask in the sunlight that also offers a good lookout for possible predators.
  • Triops erupt from this new source of life.
Adverbial phrases of where, when and how (Sentence Toolkit: saw)
  •  By noon the sand is blistering hot beneath a cloudless sky.
  • During this scorching time, the goanna moves to a grove of gidgee trees.
  • Each shiny strand acts like a tiny mirror.
Subordinate clauses.  There are a variety of these - adverbial and relative, using conjunctions and non-finite forms, particularly the present participle.  The text exemplifies how subordinate clauses can be placed in different positions in the sentence for effect.  (Sentence Toolkit: spanners for adverbial clauses and tape measure for relative clauses)
  • As the night sky melts away, the Simpson Desert horizon glows like a campfire. (adverbial, finite)
  • Flicking his tongue, the goanna laps up a good meal of protein. (adverbial, non-finite)
  • Seeds lie dormant, lacking enough moisture to sprout. (adverbial, non-finite)
  • Some of the kangaroos lick their arms and paws to cool themselves. (adverbial, non-finite)
  •  The moon casts soft light on new seedlings that will turn dust bowls into lush carpets of plants. (relative)
Punctuation (Sentence Toolkit: screwdrivers)
The text provides good models of punctuation, in particular brackets and commas to mark phrases and clauses.

To see other texts recommended on this blog, click here.  And for more Texts that Teach, check out this link.

Thursday, 16 May 2013

Something a little more practical about relative clauses

After my rather heavy session yesterday with Mr. Gwynne's relative clauses, I thought I'd follow it up with something a bit more useful.  If your reader has to negotiate such a convoluted path and so many commas to understand what you have written, you would be better to rewrite the sentence.  However, relative clauses can really add variation and effect to children's writing, so let's forget about introducing brothers and sisters and see how we can help children understand this type of clause. (It might also be worth remembering that, if the draft National Curriculum is adopted in its current form, relative clause and relative pronoun will be terminology for Year 5 children.) 

Children use these constructions already in their writing and we encourage use through Talk for Writing activities.  For example, when we learn a story in class so that children can imitate or innovate the structure and language, we highlight function words such as 'who' with actions to help the children remember to add them.  If you name a character and follow it with 'who', you have to go on and add more information about that character.  Try it out and see:

There once was a young boy.  (This would be a rather boring start to a story.)
There once was a young boy, who...  (Well, now we may get something a bit more interesting!  The comma here indicates that the relative clause is going to add some additional information for the reader - a non-restrictive relative clause for those of you who want to know.)

And I would start off with relative clauses that add additional information.  Children will need to understand that they are expanding information about the noun (expanding the noun phrase).  I would use my sentence toolkit here and model expanding my tape measure to show how the noun phrase is expanding.  They will already have experienced the expanding tape measure as they will have used it with me to expand the noun phrase by adding determiners, adverbs and adjectives before the main noun (premodification).

Provide a basic noun phrase and recap how we can add information before the main noun:
  • the fox
  • the red fox
  • the wily, red fox
Challenge the children to add the word 'which' after the noun and expand the noun phrase.  Take suggestions and write one on the board.  Model using the comma screwdriver to demarcate the clause and question childen about whether this clause completes the sentence.  Does it make sense, or do we need to add something else.
  •  the wily, red fox, which hadn't eaten for a week
 Through discussion, help children to understand that this noun phrase only forms part of their sentence and they need to go on to say what the fox is doing/feeling.  Again, ask for suggestions and model completing the sentence:
  • The wily, red fox, which hadn't eaten for a week, slunk around the chicken house. 
Discuss how the commas now enclose the relative clause and can be used as handles to lift out the clause.  The sentence will still make sense because this clause just adds additional information and is subordinate to the main clause: The wily, red fox slunk around the chicken house.

You can also show how the whole structure of noun and relative clause is part of the noun phrase, because the whole can be substituted by a pronoun: It slunk around the chicken house.  That's a useful test of a noun phrase.

Once children have this knowledge, they can be challenged to use the relative pronouns in their independent writing.  They should use 'who' for people and 'which' for objects and places.  Peer discussion can identify what additional information is provided and whether this enhances the information or not.

Wednesday, 15 May 2013

Gwynne's Grammar Test - Restrictive and non-restrictive postmodification

OK, I needed to sort this one out in my head, but think I'm there now!  Warning - this is one for true nerds and I don't really understand what it's doing in a general grammar test.

This question appeared in Gwynne's grammar test (http://www.telegraph.co.uk/education/educationquestions/9987757/Good-grammar-test-can-you-pass.html) and reworded in The One Show's grammar test (http://www.bbc.co.uk/news/magazine-22512744).  There has been a lot of fuss online about it, so let's see if I can shed any light on it.

"I should like to introduce you to my sister Amanda, who lives in New York, to my brother Mark who doesn't, and to my only other sibling, Evelyn." What gender is Evelyn?
1.  Evelyn is male
2.  Evelyn is female
3.  Impossible to know from the wording of the sentence whether Evelyn is male or female.

Interestingly the above wording appeared in the answer section, but the quiz now has a different wording, as has The One Show version:
" I should like to introduce you to my sister Amanda, who lives in New York, to Mark, my brother who doesn't, and to my only other sibling, Evelyn."

When a noun is postmodified the information can be additional information, in which case it is enclosed in commas and referred to as non-restrictive or non-defining, or it can identify the noun, in which case the commas are not used and the clause is said to be restrictive or defining:
  • my sister, who lives in New York,  (the relative clause is providing additional information)
  • my sister who lives in New York, (the relative clause is identifying which sister - the one that lives in NewYork)
In the sentence "I should like to introduce you to my sister, who lives in New York, to my brother who doesn't, and to my only other sibling, Evelyn." we can deduce that there is only one sister and the writer has offered the additional information that she happens to live in New York.  However, by omitting commas after brother, the writer is indicating that he has more than one brother and is specifying the brother that doesn't live in New York.  We can deduce that Evelyn is male and also lives in New York.

Without the inclusion of the names 'Amanda' and 'Mark' this question would have been much more straightforward.  However, our language also allows something called non-restrictive and restrictive apposition.  Apposition is a way of linking grammatical elements, where each element refers to the same thing:
  •  Swansea, her home town, held a special place in her heart. ('Swansea' and 'her home town' are the same place)
  •  Cheetah, my chimpanzee, stole the banana ('Cheetah' and 'my chimpanzee' refer to the same animal - sorry to stereotype on the behaviour front all you chimps out there!)
When punctuating, the rules are the same as they are for relative clauses.  If the apposition is additional information, it is enclosed in commas; if it identifies the first element, no commas are added:
  • Mr. Northern, my teacher, will be at the meeting. (additional information - non-restrictive apposition)
  • Mr. Northern my teacher will be at the meeting. (It is Mr. Northern my teacher who will be at the meeting, not any other Mr. Northern that I know - restrictive apposition.)
So the fact that 'my sister Amanda' does not have a comma between 'sister' and 'Amanda' implies that there is more than one sister, as Amanda here is restrictive apposition and is identifying which sister the writer is discussing.

In the first wording 'my brother Mark who doesn't' is very confusing.  Mark is restrictive as is the relative clause.  Perhaps that is why it was changed.

In the second question 'to Mark, my brother who doesn't' implies another brother because the restrictive relative clause is postmodifying 'my brother'.  So can we deduce another brother and another sister?  Quite frankly, I don't care.

Why on earth was this question included?  The only possible, sensible reason I can think of is to highlight the ridicuous nature of grammar tests!

Tuesday, 14 May 2013

Guardian Grammar Quiz

 Do these sorts of quizzes really help teachers or students or do they add to confusion about the way the English language is structured?

While I have no problem with many of the questions, why have they included the two below?


Question 5
Which of the following sentences uses a subordinate clause at the beginning?

1.  Male penguins keep warm by huddling together
2.  In order to stay alive, male penguins keep warm by huddling together
3.  Huddling together helps male penguis to stay alive and keep warm



 




I do hope this is not what we will find in the Year 6 grammar and punctuation test!

I also have concern about question 12.
Identify the main clause in the following sentence:
The rescuers, who were drafted in by the officials, were stunned by the destruction.
1.  The rescuers
2.  The rescuers were stunned
3.  Who were drafted in by the officials

Why do they not include the instrumentative 'by the destruction' as part of the main clause?  Surely the whole sentence, with  the relative (subordinate) clause removed, would read 'The rescuers were stunned by the destruction.'  This is a passive equivalent of the sentence 'The destruction stunned the rescuers.'

Testing children's knowledge of grammar is not going to make them better writers and, in my opinion, we shouldn't be wasting valuable teaching time on grammar tests.  Far better to explore, discuss and experiment with the wonderful variety of structures that English provides and consider how we can use these to create and vary effects for our readers.  Our language is very complex and to try and simplify it for tests is a complex business in itself.  Those who are driven to provide test materials and worksheets for teachers and children have a real responsibility to make sure that the aspect they are testing is unambiguous and the question only tests the structure they intended to test. 

Saturday, 11 May 2013

Subordinate clauses



Teachers often ask me questions about subordinate clauses and complex sentences, so here are a few details.  

A subordinate clause is a clause that is not the main clause in a sentence and cannot stand on its own as a sentence.  Use of a subordinate clause will create a complex sentence.  In some grammar texts the subordinate clause is referred to as the dependent clause and the main clause as the independent clause.  Sometimes subordinate clauses may start a sentence; sometimes they may be positioned at the end of a sentence and sometimes they may be embedded within the sentence.

There are different types of subordinate clause: adverbial, relative and nominal.  You can link to these pages for a bit more information on each type of clause.